So after 2 years, we have something similar to ~seven pieces~ (documentary of nana of sort)
This year, we will follow through Nana-chan’s summer events in about an hour. (｀・ω・´)
This will be a brief walkthrough of part 1, a gist of the content.
The start showed a recap of seven pieces in 2011. Her recording of Pop Master, rehearsals for TD, radio recording…
So in august, they are flying to Miyazaki! ☆*:.｡. o(≧▽≦)o .｡.:*☆
Nana talked about returning to seibu dome and experiencing her live in a stadium mode after 3 years since the previous seibu live so the feeling of “i’m back” is very strong.
Also, stadium can do stuff like festival and a lot of things that arena or hall cannot do. (she probably meant being able to be transported on different vehicles ww
In Live Journey 2011, nana had several mishaps (OTZ)
She fell off the stage(luckily nothing too serious), and even she dislocated her shoulder while throwing the gifts to fans…(´･д･`)
So she realised the importance of body maintenance, afterall her body (and voice of course ww) is/are her ricebowl……..
Nana is slowly going to different places and then…..
It is her first time holding a live in Kagoshima!! (((o(*ﾟ▽ﾟ*)o)))
Nana will always shout “HONTOU NI ARIGATOU GOZAIMASHITA” without the mic TTATT
I love this part the most…
Kagoshima had another round of Happy Go-Round! D: ii na…..
Over dinner/supper, she thank the staffs for the success of her lives.
Then she talked about how everyone is coming to her lives from everywhere and so her dream is to perform in all 47 prefectures.
By going all 47 it is like she is going to everyone instead. (会いに行く～）
Nana….come to singapore too D: //solo live i mean…
市川祥治 Ichikawa Shoji
aniki: She is very strict on herself and the feeling of wanting to convey feelings to her fans is very strong.
大平勉 Ohira Tsutomu
tomu-kun: Basically she haven’t changed a lot, but her concerts are always kind of hard so I wondered if her stamina can take it but probably she “just did it”
福長雅夫 Fukunaga Masao
chou-san: She don’t look at lyrics boards at all, more like she have to try hard by herself, which I find it very admirable.
中村修司 Nakamura Shuji
shu-chan: The music evolved in a way that surprised me, like taking things from the past and building it on, increasing the level of difficulty, and I haven’t really seen this much from other artistes, so it is very shocking for me.
渡辺豊 Watanabe Yutaka
yutapon: the staging is getting bigger and better, the dance too, she can get it done very naturally, no matter whether it is in a big venue or in a small hall.
坂本竜太 Sakamoto Ryuta
ryu-tan: arena class, hall class, whichever it is, she waves to her fans, all the way while singing, there’s a lot of singer who doesn’t really does that (in his opinion). she just like gives smiles to everyone who comes to the concert and it is commendable.
In 2002, she started her 1st radio programme “Power Gate”. She first appeared as a guest for the previous personality.
And of course, she has her job as a narrator for MJ as well.
The Executive Producer for MJ first talked about his impression of Nana’s live.
Like how the audiences are synchronised in their otageis, and the whole venue brightened up by the sea of UOs, which in his opinion is so much interesting than regular idols.
He then went on to say about how because nana-san is a seiyuu, in the end there’s like a hierarchy among singers and so anisong singers/seiyuus are always somehow below the mainstream artistes.
He wanted to try to let her slowly enter the mainstream industry (kind of) in various ways and through narration and joining the Music Japan family as a narrator is one way.
Then he kept emphasizing that he did not pull strings for kouhaku and sort ww
In July, she attended FNS uta no natsu matsuri which was a live programme and collaborated with other singers singing songs that are not her own.
Nana mentioned about how singing with someone else, she has to pay attention to her collabo partner, so that they can match each other.
In terms of singing, she also have to harmonize with her partner or where they should vibrato together etc.
Nana-san had just finished her summer tour and has to prepare for anisama~~
the 3rd day had a lot more seiyuu singers, and in terms of experience, she is like an onee-san ww
She wants to support them as a senior and she is reminded of the time when she was still like a junior.
Of course at the same time, she feels that she has a lot more to improve since there are still many senpais around.
I WANT TO SEE THE BD NOWWWWW Σ(ﾟ∀´(┗┐ヽ(・∀・ )ﾉ
She talked about how she ran more than she had expected and how she was sweating so much ww
the person recording mentioned how nana don’t look like she has sweat a lot and nana said it is the result of her usual training and her summer tour that have built up her abs ww
(oh nana look at your biceps
Before she turned up at the concert, she was in a tent for a short talk. you can find it on niconico douga.
Nishikawa-san first talked about inazuma rock fes itself then moved on to talk about the collaboration with nana.
“It is not about song or genre, but more of creating a rapport, if a rapport between them cannot be created then this collaboration would not be possible.”
Looking back, he is glad he chose Mizuki-san for this collaboration.
Inazuma Rock Fes was the first time nana-san went to other people’s concert as a guest so she now understand the nervousness that the guests felt when they go her concert as a guest. 😄
iyo iyo…we’ve come to the end of part one. To end off, let’s not forget about that one song…
This song is so beautiful i can’t ｡：ﾟ(｡ﾉД＼｡)ﾟ･｡
Who is that jerk who came to dislike nana because of her perfectness, that she will always give at least CD quality singing?!
Shame on you, this is not the best Ai no Hoshi but it is full of emotions and nana-san is only superhuman. (oi
You should listen to this and eat back all your words.
lol ww nape………… (✿ ♥‿♥)
Part 2 will be aired after AFA on 11/17.
Darkholiness for the gist translation.
Gekkie for the screencaps (because mac is so much easier)
The translations are not fully accurate so pardon us for any mistakes. m(_ _)m
Till the next post, which should be KD performances, see ya~
P.S: for the benefit of readers of this blog, if anyone wants the TS format for this file and can’t download using baidu (or you don’t want to hurt your ratio), you can leave your email address below and i will send you the dropbox link to download.
It is 2.5gb (i cut away the advertisement behind)
Disclaimer: no, it is not recorded by me.